Friday, September 5, 2014

Sara Genn Letter

I just loved this mornings letter and wanted to share it here if anyone has some comments on it!



In 1726, at the age of 20, Benjamin Franklin outlined in detail a thirteen-week plan

to achieve what he called "moral perfection." Each week the schedule tackled a

specific virtue -- cleanliness, moderation, industry, tranquillity, temperance, etc.

Franklin tracked his own progress in a little book. "What good shall I do this day?"

read a morning chart. The precision of his scheme usually brought results, though

areas where he struggled included keeping his papers tidy and his love of beer.



"Routine, in an intelligent man, is a sign of ambition," wrote Anglo-American poet

W. H. Auden in 1958. Auden believed that a strict schedule was essential to

creativity -- a way of metering the muse into regular, controlled doses. "A modern

stoic knows that the surest way to discipline passion is to discipline time: decide

what you want or ought to do during the day, then always do it at exactly the same

moment every day, and passion will give you no trouble."



Choreographer Twyla Tharp, in her 2003 book "The Creative Habit," describes each day

as the same: waking, consuming the same breakfast of three hard-boiled egg whites and

a cup of coffee, putting on workout clothes and legwarmers, walking out of her

Manhattan apartment, hailing a taxi and asking the driver to take her to the Pumping

Iron gym at 91st Street and First Avenue, where she works out for two hours. "The

ritual is not the stretching and weight training I put my body through each morning at

the gym;" she says. "The ritual is the cab. The moment I tell the driver where to go,

I have completed the ritual."



"Being creative," says Tharp, "is an everyday thing, a job with its own routines.

That's why writers, for example, like to establish a routine. The most productive ones

get started early in the morning when phones aren't ringing and their minds are rested

and not polluted by other people's words. They might set a goal--1500 words or stay at

their desk until noon--but the real secret is that they do this every day. After a

while it becomes a habit.



"This is no different for a painter finding his way to the easel or a medical

researcher returning to the laboratory. The routine is as much a part of the creative

process as the lightning bolt of inspiration (perhaps more). And it is available to

everyone. If creativity is a habit, then the best creativity is the result of good

work habits. They are the nuts and bolts of dreaming."



When reflecting on her own lifelong routine, Tharp is pragmatic. "It's actively

anti-social," she says. "On the other hand, it is pro-creative."



Sincerely,



Sara

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